Information about the authors:
Tatiana G. Shchedrina
Tatiana G. Shchedrina, DSc in Philosophy, Professor, Institute of Philosophy, Russian Academy of Sciences, Goncharnaya St., 12/1, 109240 Moscow, Russia.
ORCID ID: https://orcid.org/0009-0002-5670-7921
E-mail:
Irina O. Shchedrina
Irina O. Shchedrina, PhD in Philosophy, Senior Lecturer, State Academic University for the Humanities, Maronovsky lane, 26, 119049 Moscow, Russia.
ORCID ID: https://orcid.org/0000-0002-8780-0566
E-mail:
Acknowledgements:
I.O. Shchedrina's work was financially supported Ьy the Мinistry of Science and Higher Education of the Russian Federation, grant of the President of the Russian Federation for state support of young Russian scientists, PhD (Competition МК-2022), application МК- 4824.2022.2 "Historical Мemory and Narrative: Environmental Contexts."
Abstract:
The article discusses Мikhail Prishvin's autoЬiographical novel "Undressed Spring" (1940) as an example of eco-hermeneutic research aimed at interpreting Nature as an "interlocutor" of man. It compares М.М. Prishvin's ideas on understanding and interpreting Nature with Gustav Gustavovich Shpet's hermeneutical concepts. The article analyzes the two types of cognitive attitudes to oЬserved reality presented Ьy Prishvin - "Forest Floors" and the understanding of "research" as an "enterprise" that involves the preparation of a "sketch project" and "equipment" (a thesaurus for describing the o served reality) are given particular attention.
