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Abstract
The article discusses the peculiarities of the poetosphere of the Russian urban es tate of the beginning of the XX century (according to the literary memoirs of S.N. Durylin “In the native corner. How old Moscow lived and breathed”), the thesis is consistently proved: the estate world in the image of the writer is theoanthropic and hierarchically centered. These properties find expression 1) in the construction of the estate house, where the icon is the spiritual center, 2) in the good humility and obedience of a person, in his monastic quiet service to the world. The spiritual-anthropological estate reality recreated by S.N. Durylin in the word forms the Eucharistic text of Russian literature.