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A.M. Gorky Institute
of World Literature
of the Russian Academy of Sciences

IWL RAS Publishing

A.M. Gorky Institute of World Literature
of the Russian Academy of Sciences

 IWL RAS

Povarskaya 25a, 121069 Moscow, Russia

8-495-690-05-61

edition@imli.ru

iwl.ras.publishing@gmail.com

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Types of publications

  • Classification – name: Literary studies
  • Author: Maxim M. Gudkov
  • Pages: 581–592
  • Publisher: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences (IWL RAS Publ.)
  • Rights – description: Creative Commons Attribution-NoDerivatives 4.0 (СС BY-ND)
  • Rights – URL: Visit Website
  • Language of the publication: Russian
  • Type of document: Research Article
  • Collection: Maxim Gorky and World Culture: A Collection of Scientific Articles
  • DOI: https://doi.org/10.22455/978-5-9208-0693-2-581-592
  • EDN:

    https://elibrary.ru/LJGKAF

  • Year of publication: 2023
  • Place of publication: Moscow
  • PDF

  • Gudkov, M.M. “The Play “Mother” by M. Gorky — B. Brecht on Broadway (1935): World Fame and Failure.” Maxim Gorky and World Culture: A Collection of Scientific Articles. Ed. L.A. Spiridonova. Мoscow, IWL RAS Publ., 2023, pp. 581–592. (In Russian) 1 Electronic Optical Disc. Text: Electronic. https://doi.org/10.22455/978-5-9208-0693-2-581-592

Information about the author:

Maxim M. Gudkov, Senior Lecturer, Saint Petersburg State University, The Institute of Philological Research, Universitetskaya nab., 7–9–11V, 199034 St. Petersburg, Russia.

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Abstract:

The author examines the only production of Maxim Gorky’s novel “Mother” in the USA, which was adapted by Bertolt Brecht and staged by the leading Left-wing theatre of New York — Theatre Union. The history of artistic confrontation of American authors of the production and German playwright, who arrived from over the ocean to supervise it is considered in the paper. As a result of the research of how the production was being made, as well as how it was perceived by Broadway spectators it is possible to conclude that the realistic aesthetics and psychological insight of Gorky was more recognizable to the American producers than the Brecht’s epic theatre.

Keywords: Maxim Gorky, Bertolt Brecht, American theatre, Broadway, Theatre Union, play “Mother”.

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