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A.M. Gorky Institute
of World Literature
of the Russian Academy of Sciences

IWL RAS Publishing

A.M. Gorky Institute of World Literature
of the Russian Academy of Sciences

 IWL RAS

Povarskaya 25a, 121069 Moscow, Russia

8-495-690-05-61

edition@imli.ru

iwl.ras.publishing@gmail.com

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  • Classification – name: Literary studies
  • Author: Carolina Botteschi
  • Pages: 334–348
  • Publisher: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences (IWL RAS Publ.)
  • Rights – description: Creative Commons Attribution-NoDerivatives 4.0 (СС BY-ND)
  • Rights – URL: Visit Website
  • Language of the publication: Russian
  • Type of document: Research Article
  • Collection: Femininity and Masculinity in the Modernist Culture: Russia and Abroad
  • DOI: https://doi.org/10.22455/978-5-9208-0740-3-334-348
  • EDN:

    https://elibrary.ru/DSYGTI

  • Year of publication: 2023
  • Place of publication: Moscow
  • PDF

  • Botteschi, C. “Italian Women Writers Between Femininity and ‛Feminism’: From the Unification of Italy to the Twentieth Century.” Femininity and Masculinity in the Modernist Culture: Russia and Abroad. Ex. ed. Veronika B. Zuseva-Özkan. Moscow, IWL RAS Publ., 2023, pp. 334–348. (In Russian) https://doi.org/10.22455/978-5-9208-0740-3-334-348

Information about the author:

Carolina Botteschi, PhD student, National Research Tomsk State University, Lenin ave., 36, 634050 Tomsk, Russia.

ORCID ID: https://orcid.org/0009-0001-1276-0184

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Abstract:

Examining the traits of the female characters offered by a number of prominent women writers in a specific space-time interval of civilisation contributes to identifying the potential relations between the female characters created by women writers and the literary tradition, the historical context and the mentality of an era, which in this case characterise post-Unification Italy and the first decades of the 20th century. Given the distinctive historical and cultural environment in which the Italian women writers of those decades were active, and based on the dichotomous representation of women (“the woman-angel” figure vs the “femme fatale”) in literature, an overview of their experience from the perspective of the “women’s question”, inextricably linked to the “social question”, is presented. In the post-Unification period, writing provided an opportunity for Italian women authors to rethink, and not only from a literary angle, women’s role in the newly-formed society. Through the study of a select group of women writers, an attempt is made to provide a picture of what can be defined as “the Italian interpretation of emancipation and ‛feminism’.” Although there was a small group of women authors who were not afraid to overtly fight for the “women’s question”, demanding for their fellow countrywomen the right to civic engagement in the making of the “new Italy”, in most cases women writers favoured taking, at least outwardly, more conservative stances, only to then present authorial choices that make one wonder whether they had not decided to challenge the system from within.

  • Keywords: “women’s question”, women’s writing, Neera, G. Deledda, A.M. Mozzoni, A. Negri.

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