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A.M. Gorky Institute
of World Literature
of the Russian Academy of Sciences

IWL RAS Publishing

A.M. Gorky Institute of World Literature
of the Russian Academy of Sciences

 IWL RAS

Povarskaya 25A, bld. 1, 121069 Moscow, Russia

8-495-690-05-61

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iwl.ras.publishing@gmail.com

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  • Classification – name: Literary studies
  • Author: Valeriia Yu. Evdokimova
  • Pages: 561-576
  • Publisher: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences (IWL RAS Publ.)
  • Rights – description: Creative Commons Attribution-NoDerivatives 4.0 (СС BY-ND)
  • Rights – URL: Visit Website
  • Language of the publication: Russian
  • Type of document: Research Article
  • Collection: Sergey Esenin in the Context of Russian and World Сulture
  • DOI: https://doi.org/10.22455/978-5-9208-0824-0-561-576
  • EDN:

    https://elibrary.ru/JPFZXM

  • Year of publication: 2025
  • Place of publication: Moscow
  • PDF

  • Evdokimova V.Yu. “An Image of Sergey Esenin in the Theater.” Sergey Esenin in the Context of Russian and World Сulture: Acad. and ex. ed. Natalia I. Shubnikova-Guseva. Moscow, IWL RAS Publ.; Konstantinovo, The State Museum Reserve of S.A. Esenin, Publ., 2025, pp. 561–576. (In Russian) https://doi.org/10.22455/978-5-9208-0824-0-561-576

Information about the author: 

Valeriia Yu. Evdokimova, Head of Exhibitions Department, the State Museum of S.A. Esenin, 391103 Konstantinovo village, Rybnovsky district, Ryazan region, Russia.

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

Abstract:

The article attempts to summarize the materials collected in the funds of the State Museum Reserve of S.A. Esenin, about theatrical performances on stages of Russian and foreign theaters, dedicated to the image of the poet. The presented archival objects allowed to classify performances according to their representation of Esenin, to identify the most popular types of plays, among which one can mention the monodramas, as well as performances about love or telling about the last days of the poet’s life. The analysis presented also made it possible to highlight texts of plays that were used more often than others. Within the framework of the study, the order of appearance of stage works and work on the images of the Poet was determined from 1922 to the present day. In the general list of performances, those staged in Ryazan and Konstantinovo, which represented the homeland of the poet, are marked. Several performances are considered in more detail due to the considerable volume of published and collected material, among such productions — “My Life, Have I Dreamed of You?” with Sergey Bezrukov and “Confession of the Hooligan” in a production by Andrey Dennikov.

  • Keywords: S.A. Esenin, theater, image of the poet, historical-biographical performances, stage performance, review.