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A.M. Gorky Institute
of World Literature
of the Russian Academy of Sciences

IWL RAS Publishing

A.M. Gorky Institute of World Literature
of the Russian Academy of Sciences

 IWL RAS

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8-495-690-05-61

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  • Classification – name: Literary studies
  • Author: Yuri B. Orlitsky
  • Pages: 456-491
  • Publisher: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences (IWL RAS Publ.)
  • Rights – description: Creative Commons Attribution-NoDerivatives 4.0 (СС BY-ND)
  • Rights – URL: Visit Website
  • Language of the publication: Russian
  • Type of document: Research Article
  • Collection: Sergey Esenin in the Context of Russian and World Сulture
  • DOI: https://doi.org/10.22455/978-5-9208-0824-0-456-491
  • EDN:

    https://elibrary.ru/BTWFZK

  • Year of publication: 2025
  • Place of publication: Moscow
  • PDF

  • Orlitsky, Yu.B. “‘Next to Esenin’: Once Again About the Verse Composition of the New Peasant Poets.” Sergey Esenin in the Context of Russian and World Сulture: Acad. and ex. ed. Natalia I. Shubnikova-Guseva. Moscow, IWL RAS Publ.; Konstantinovo, The State Museum Reserve of S.A. Esenin, Publ., 2025, pp. 456–491 (In Russian) https://doi.org/10.22455/978-5-9208-0824-0-456-491

Information about the author: 

Yuri B. Orlitsky, DSc in Philology, Leading Research Fellow, Russian State University for the Humanities, Miusskaya Square, 6, 125993, GSP-3, Moscow, Russia.

E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.  

ORCID ID: https://orcid.org/0000-0002-4868-8882 

Abstract:

The article considers the main features of the verse poetics of the so-called New Peasant poets on the material of the poetic works of P. Oreshin, V. Nasedkin, I. Eroshin and R. Akulshin (Berezov). The author analyzes the general features of this poetics, which allow us to speak of its independence against the background of the prevailing in 1910–1930s Symbolist, Acmeist and Futurist poetics; the general direction of the evolution of the New Peasant metrics is outlined: from the “song” chorus through the fascination with various forms of tonic and free verse to the “book”, classical iambic. Observations show that this trajectory, despite individual variations, turns out to be generally characteristic of both the first row of New Peasants: N. Klyuev, S. Esenin, S. Klychkov, A. Shiryaevets — the authors considered in the 1997 article — and the four poets, whose work is analyzed below.

  • Keywords: metrical repertoire, chorus, iambus, vers libre, “folk verse”, stanza, rhyme, stylization.

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